YWCA WWV 2017: Since Then


Saturday September 23, 2017  to Saturday December 30, 2017
Kamloops Art Gallery



  • Rebecca Belmore
  • Garry Neill Kennedy
  • Justin Sorensen
  • Dana Claxton
  • Janet Kigusiuq
  • Derek Sullivan
  • Leah Decter
  • Cheryl L’Hirondelle
  • Ione Thorkelsson
  • Demian Dinéyazhi’
  • Kent Monkman
  • Rachael Thorleifson
  • Mark Emerak
  • Peter Morin
  • Chih-Chien Wang
  • Cliff Eyland
  • Lisa Myers
  • Christopher Wool
  • Félix González-Torres
  • Jude Norris
  • Helga Jakobson
  • Rúrí

Postulating what the future might hold, this exhibition looks to histories of survival as a starting point for a conversation about the possibilities of endurance, cross-cultural exchange and legacy. By looking at artwork that depicts survival, that alludes to hybridity and transformation, and that carries with it the physical markers of distress as part of their conceptual make-up, Since Then challenges preconceived notions of what it is to endure from both a historical and a contemporary point of view.

The artworks featured in Since Then are in turn humorous, confounding and rooted in an awareness of colonial violence. Themes such as water, literature, mythologies and time travel are prevalent, as are factual accounts of hardships. These themes emerge and are explored through a variety of media including video, photography, works on paper, performance and site-specific installation in order to inform this conversation concerning an aesthetics of survival. How is the road forward paved with stories of what has come before? What has happened Since Then?

This sprawling, multi-faceted group exhibition poses questions about what it means to survive and how the markers of survival sometimes, necessarily, force a dialogue about its opposite.

Published in response to this research is a special issue of CV2, The Canadian Journal of Poetry and Critical Writing, featuring a 16-page visual art supplement of work from Since Then as well as an exploratory text by the curator.

Artist and independent curator Tania Willard has also curated a performance series in response to Since Then, to be presented over the course of the exhibition.

Since Then was originally produced in Winnipeg for núna (now) – Icelandic Canada Art Convergence, as part of their 10th anniversary programming in 2016.

YWCA Week Without Violence 2017

YWCA WWV 2017: Reaching Out With Yoga (Trauma Informed Yoga Training) 1Each year during the third week of October, Canadians bond with people in over 90 countries around the world to mark YWCA’s Week Without Violence™, a week-long series of community events promoting diverse approaches to creating a violence-free world. More than 9,500 people in schools, workplaces and neighbourhood organizations throughout Canada recognize this annual violence prevention initiative aimed at making violence a thing of the past.

The following amazing events, exhibitions, workshops and conferences demonstrate a week where our Kamloops community actively supports ending violence against women and children.


Location Information: Kamloops Art Gallery

Click for more information and events for Kamloops Art Gallery

City Centre
Kamloops Art Gallery 1

101 - 465 Victoria Street,
Kamloops, BC,
V2C 2A9

The Kamloops Art Gallery is a registered charity and not-for-profit society.

Incorporated in 1978, the Kamloops Art Gallery serves residents of and visitors to Kamloops (pop. 82,000) and the surrounding Thompson-Nicola Regional District (pop. 124,000) as well as national and international audiences.

In 1998, the KAG moved to a purpose-built civic building, designed by award-winning architects Peter Cardew and Nigel Baldwin, which also houses the Thompson-Nicola Regional District offices and the Kamloops branch of the TNRD Library System. The 20,853 square foot Gallery includes 4,500 square feet of exhibition space, an admissions/store area, two multipurpose studio/workshop/lecture rooms, a packing and acclimatization area, the collection storage vault with an adjoining workroom and, on a mezzanine above, administration and curatorial offices along with a research library. In 2006, the KAG was designated a Category “A” institution under the Cultural Property Export and Import Act.

The Gallery’s annual attendance has ranged between 24,000 and 37,000 over the last five years. It enjoys a national reputation for its touring exhibitions and publications and has developed relationships with national and international artists, curators, critics and scholars. The KAG is also well respected for its exhibitions, events and educational and public programs through activities organized and presented in the community and region involving both contemporary and historical art. Its collection as of December 2012 consists of 2,700 works that primarily reflect the Gallery’s exhibition history. In 2005, the KAG co-commissioned with the University of British Columbia’s Morris and Helen Belkin Art Gallery Canada’s participation in the 51st Venice Biennale with the work of Rebecca Belmore.

Governed by a Board of Trustees, the KAG maintains an effective organizational structure that includes a Management Team led by the executive director, a Program Team led by the curator and a Development Team led by the manager of operations. Teams meet monthly to report, evaluate, problem solve and plan.

Vision

The Kamloops Art Gallery brings art, artists and communities together.

Mandate/Mission

The Kamloops Art Gallery is the principal gallery in the Southern Interior of British Columbia supporting contemporary and historical visual arts and practices on a local, national and international level. The KAG acknowledges art to be an essential part of the human experience in nurturing a healthy society. As a leading cultural institution, the KAG is an integral part of the fabric that draws intellectual, social and economic opportunities to our province and to our region.

The Kamloops Art Gallery fosters enjoyment of and interest in the visual arts by researching, developing and producing exhibitions, publications and programs that engage, challenge and inform its various audiences. The Gallery also oversees the development and preservation of a permanent collection that includes regional, national and international art in all media. It also strives to create rewarding opportunities for visual arts professionals and the public.

Guiding Principles

  • Committed to art, artists and audiences
  • Collaborative, respectful and ethical
  • Tolerant, inclusive and diverse
  • Relevant to local and regional communities
  • Striving for excellence
  • Fiscally responsible
  • Sustainable